Post by KeyoOhki on Feb 19, 2009 16:02:42 GMT -7
Crossroads: From Dawn to Dusk
Are you afraid of the dark? The lingering shadows that surround you in the night . . . the chills that scale down your backside . . . the insanity that can easily corrupt your mind... and the bloodlust that controls your well being?
Well, are you?
Crossroads: From Dawn to Dusk is that of a different take on the casual Vampire vs. Lycan tale. The setting takes place in London, England (late 19th / 20th century) where the British Folklore are known to be scarce - but are they really?
Our characters are those who live their 'true lives' in secrecy, but tend to partake in actual human activities just for the hell of it. Not only do they deal with the common complications of keeping their identities from those cluesless around them, but each race (Humans, inlcuded) is dealing with the stress of staying alive.
The scent of a Vampire is purely repulsive to a Lycan, while the common werewolf causes a similar affect to Vampires; however their thirst for blood continues to grow. As for our humans, they reside in this Dog-Eat-Dog world either confused or "preparing" for any possible attack placed onto them . . . seeing that the only safety a Human can find is with a Hunter.
Within this mythological tale also resides Hybrids, a certain race of either Vampire or Lycan that is born to deal with the consequences of being a "half blood". Being slain during early infancy or later on in time, there is no known peace for those known as Hybrids. Their only solution to these problems being death. After a long pause of possible warfare, the creatures of the night are beginning to stir once again, and the slayers are awaiting their breach. Weapons poised and senses orientating themselves. There will be no stopping this soon-to-be revolution.
However, the sudden death of the well-known Slayers de Tres (Uma, Bairavi and Ambika) has raised suspicion to who exactly murdered three of the most powerful Hunters from time periods before. Many are beginning to get restless . . .
In this time and place . . . everyone is prey . . .